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and was like, ‘Thank you,’ and I went back to dressing room. I’m lookin’ at ’em and lookin’ at ’em-just lined ’em up, and when I’m ready, that’s when Pac threw up a finger. “Someone, off the side, was like, ‘Yo, come take our picture.’ I was like, ‘Okay, cool just give me a second.’ I got my stuff together and went over to dudes. Eric attended a 1993 ONYX show on an assignment for Thrasher. While T Dot Eric captured the Rap world fracturing one night, he had also snapped one of the few photos of Tupac and Biggie together (embedded below). Everybody was still, ‘Okay, we’re still growing, but nothing has happened yet.'”ĭJ Quik Says Suge Knight Had Diddy’s Child’s Mother In His Room After The Source Awards There was no shell-shock of celebrityism. Everybody else was sort of bubbling up, and you were watching their careers evolve over two or three years. But to me, that night, let’s say LL Cool J was there-that would’ve been a celebrity.
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“I just thought it was interesting watching this sh*t unfold it was fun.” Eric adds, “No one was a celebrity yet. Even documenting Death Row during soundcheck, he says the mood going into the show was light. I’m gone what else do I need to see? Not that I, I just know when it’s time to leave.”Įric also makes a point about where Death Row and Bad Boy were at the time. ‘Alright, it’s time to go now.'” As the show neared its close, T Dot Eric admits he was up and out-headed for the Garden State. “I’m watching, and I’m looking back at Puffy-because you’ve never seen a moment like this, but you’re watching it unfold, so I’m like snap. Eric, sitting a few rows in front of Diddy, remembers the shock of the moment. Later in the night, Suge, flanked by R&B singer Danny Boy, used the podium to send nameless disses in Puff Daddy and Jermaine Dupri’s direction. Puffy Details Stepping To Suge Knight After The Source Awards & Suge Backpedaling (Video) Just watching how everyone moved underneath Suge was just interesting to watch.” “The presence that Suge had was larger than life.
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But I knew because they didn’t get me a pass, where my windows of opportunity were, getting into Madison Square Garden.” He took photographs of Suge Knight and his label partner, Dr. I was supposed to have gotten a pass to be in there no one got me the pass. Inside one of Death Row’s prison cells on its set was a cardboard cutout of Tupac Shakur-an incarcerated affiliate who had not yet signed.Įric explains getting into the event, despite some hardships. It was ‘Eh, go back to L.A.’ kinda sh*t.'” Eric empathizes with the Long Beach star who was a performer that night with his Death Row Records label-mates and DJ Quik. But at the same time, no one gave them any kind of congratulations. Dre and Snoop Dogg? Well, let it be known then.” Eric shares, “You can understand why Snoop was so pissed off: was doing a good job, they were there, representing themselves or whatever, but also honoring New York. Snoop famously declared, “The East Coast don’t got no love for Dr. T Dot Eric photographed a grimacing Snoop Dogg checking the Madison Square Garden audience with Dr.
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There was tension that was not verbally said,” he says. “Something was in the air you could sense something was off. Eric, who documented Biggie Smalls, Tupac Shakur, as well as their affiliates, recalls the evening. Before his post at The Source, Eric was present the August 1995 night when the coasts clashed at the Source Awards. Dot Eric describes photos that became historical moments. Eric also explains why he stopped shooting Hip-Hop by the new millennium.Īt the top of the hour-plus chat (embedded below, in video and audio), T. He explains documenting mid-1990s Tupac and how that personality shifted when the cameras were down.
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Eric discussed just how seriously he treats his craft in a conversation with Ambrosia For Heads ‘ What’s The Headline? The guest breaks down capturing The Roots at an inflection point in the band’s career. However, he has also published annotated volumes of his photographs, Rare & Unseen Photos of 90’s HipHop, with an emphasis on care and quality. Today, Heads can see T Dot Eric’s work on his carefully curated social media (embedded below). No matter who he was working for, the New Jersey native approached his subjects like they approached their music-artfully. Eric Monroe, as he is also known, was the photograph editor of The Source magazine during the 1990s and a frequent contributor to Thrasher magazine throughout the decade. His work includes legendary flicks of Nas, A Tribe Called Quest, Wu-Tang Clan, Big L, D’Angelo, Lauryn Hill, Gang Starr, De La Soul, and Black Star-only to name a few. Photographer T Dot Eric has taken some of the pictures that have defined how Hip-Hop thinks of its heroes.